In truth, it's not all that much of a song – it's messy and old-fashioned compared to the rest of the album, with a riff that's barely evolved from the boogie of their earliest recordings. They signed a singer and got a lyricist, as well." Down Payment Blues 3. Tambourine to get the groove. On Powerage he stripped away the bawdiness, and reined in the malevolence: he seems more like an observer than a participant. I think that's the most under-rated album of them all. As well as the unparalleled joy of keeping the publication alive, you'll receive benefits including exclusive editorial, podcasts, and specially-commissioned music by some of our favourite artists. It's hard, too, to argue that Highway To Hell and Back In Black were anything other than great albums. Try disabling any ad blockers and refreshing this page. If that doesn't work, please visit our help page. ", Truth be told, while I love AC/DC – and Powerage is, I think, by a distance the best of their albums – it's hard not to see that without wondering what on earth Young and Opitz are on about. In the AC/DC memoir AC/DC: Maximum Rock & Roll, former manager Michael Browning states, "I got a call one day from Malcolm and Angus. Browning feared that Pattenden was too old and didn't fit the band's image, so he instead pushed for Englishman Cliff Williams, who had previously played with Home and Bandit. Support tQ's work by becoming a subscriber and enjoy the benefits of bonus essays, podcasts and exclusively-commissioned new music. Down Payment Blues. The result was an album that seethes with barely controlled aggression. Rather than basing it around a colossal riff, the verses are carried on a simple, single guitar phrase over muted bass and drums; the choruses do not release the tension: that only comes after Scott howls out the title, and the whole band unwinds. Read the choicest cuts from the Quietus archive: reviews, features and opinion, A Classic AC/DC Interview: Sylvie Simmons Talks To The Rock Gods, For Those Who Rocked: AC/DC Live At Wembley, 40 Years On: Revisiting AC/DC's Let There Be Rock, Have A Drink On Me: 40 Years Of AC/DC’s Back In Black, INTERVIEW: Tim Burgess On Twitter Listening Parties, The Priest & The Beast: Iron Maiden And British Steel Turn 40, (13 On The) Wheels Of Steel: Biff Byford Of Saxon's Favourite LPs, In Fair England: Fairport Convention's Liege & Lief At 50, Killing It Live: The Murder Capital Interviewed, Been Around The World: The Magical Odyssey Of The Avalanches' Since I Left You, Fear Factory's Demanufacture And The Strange Rebirth Of Industrial Metal, Too Much Too Soon: Menswear's Nuisance Revisited, Time Would Come To An End: Pet Shop Boys’ Behaviour at 30, And The Heat Goes On: Talking Heads' Remain In Light At 40. "After we'd done Let There Be Rock, Powerage was probably us experimenting a little bit," Angus Young told me in 2014. Powerage is the fifth studio album by Australian hard rock band AC/DC. There's no framing device, no sitars, no psychedelic whimsy. In some territories, Powerage omitted "Rock 'n' Roll Damnation" due to a rushed job in getting the LP to pressing plants in time for the release date, hence "Rock 'n' Roll Damnation" (which was not yet completed) was omitted, "Cold Hearted Man" was added, and the rushed mixes are different from the 'finished' mixes that were thereafter used. Sales figures tell us they were right to do so. Tonebridge. In 2007, a studio version of the song, with Brian Johnson on vocals, was included on the second disc of Plug Me In. Bon Scott has said this song is about “a lady who took it upon herself to do whatever she wanted to do”. View credits, reviews, tracks and shop for the CD release of Powerage on Discogs. According to the Murray Engleheart book AC/DC: Maximum Rock & Roll, several songs that wound up on Powerage were started in July 1977 during the band's first rehearsals with Williams at Albert Studios, including "Kicked in the Teeth", "Up to My Neck in You", an early version of "Touch Too Much" (which would later appear on the follow up album "Highway to Hell"), and possibly "Riff Raff". AC/DC Powerage CD $8.99; X3CDAC04 2 reviews AC/DC Powerage CD $8.99; X3CDAC04 2 reviews This item is out of stock. Cold Hearted Man Lyrics. Please whitelist our site in order to continue to access The Quietus. "My brother George said: 'Your first album and your second album, these are a lot of songs you've had for years, and you've worked on them and refined on them, so when you hear them you go: That's a band playing that.' Sin City 6. Mark Opitz, who engineered the album, told the writer Jesse Fink: "In a way it was AC/DC's Sgt Pepper's. Download Pdf. Crucially – I've made this point before, but it bears repeating: Powerage is the only AC/DC album entirely free of sexual innuendo. Nowhere is it rough around the edges, every song belongs and deserves its place in the tracklist. It was the band's fourth studio album released internationally and the fifth to be released in Australia. However, Powerage would be the final Bon Scott-era studio album the band would record with the team of Harry Vanda and George Young, who had produced all of the band's albums up to that point (George was the older brother of Angus and Malcolm; he and Vanda had enjoyed their own pop success with the Easybeats in the 1960s), the feeling from Atlantic being that a more commercial producer might do wonders for the band's profile in the lucrative American market. Some versions omitted "Rock 'n' Roll Damnation" from the track-list, but all included "Cold Hearted Man", albeit in a different sequence than on subsequent pressings. It was the band's fourth studio album released internationally and the fifth to be released in Australia. Williams, who could also sing background vocals, passed the audition and was asked to join the band. On 'Gone Shootin'' there's even a woman entirely free of sexual desire, who wants only oblivion. – is laid out in full, 'What's Next To The Moon' is the album's strangest and most compelling track, the one where the claims that Powerage is experimental bear the most truth. It's also the first AC/DC album to dispense with bluesy shuffles: everything here is four-to-the-floor. Check out the tab » Backing track. Up to My Neck in You 9. Some cassette copies, such as the original Canadian issue, had an alternate track listing. Their Sgt Pepper's? Powerage was re-released in 2003 as part of the AC/DC Remasters series. Most of all, it's extreme in its lyrics. According to Browning, the Young brothers were seriously considering Colin Pattenden of Manfred Mann fame. For vinyl variations containing "Rock 'n' Roll Damnation", the single version was used, with "Riff Raff" having a fade out to accommodate the extra time on Side A. Powerage was a first in the sense that it debuted bassist Cliff Williams, but it really is more of a final curtain to the band's early years.It would be the last produced by Vanda & Young, the legendary Australian production team who also helmed hits by the Easybeats, and it was the last before AC/DC became superstars. Tabbed by: Vinny A. GONE SHOOTIN' Lyrics (1978) (Young, Young & Scott) Feel the pressure rise Hear the whistle blow Bought a ticket of her own accord To I dunno Packed your heart in a travellin' bag And never said bye bye Something missing in the neighbourhood Of her cryin' eyes I stirred my coffee with the same spoon Knew her favourite tune Gone shootin' "Bon was a street poet – he described it as 'toilet wall' poetry," former AC/DC manager Michael Browning explained to Peter Watts of Uncut in 2013. It had a 'harder' sound than the later version, with small variations in vocals, guitar tracks, or both, and occasionally extra sections and longer or shorter fades. They were very big on lots of Motown tricks.". The European vinyl edition (specifically, the first UK pressing of the LP) included "Cold Hearted Man", a song that was not previously released, and would not be released on any other AC/DC album until 2009's AC/DC Backtracks boxed set. It's perhaps the strangest song – missteps like 'Love Song' aside – in the AC/DC catalogue, and all the better for it. The bluesy coda on "Down Payment Blues", is also excluded from this version. Another often overlooked aspect of the record is the high quality of Bon Scott's lyrics, with biographer Clinton Walker writing in his 1994 Scott memoir Highway to Hell, "'Gimme a Bullet' was perhaps Bon's most accomplished piece of writing to date, in which his penchant for hardcase metaphors finds even more genuine pathos and humour than it had before." They used to have a sort of tit-for-tat thing going, but nothing that I would have ever thought was going to be gig-threatening." That meant George Young and Harry Vanda stepping aside as producers, to be replaced by first Eddie Kramer and then, of course, Mutt Lange. That's about the closest we ever got to an experiment." The album was later remixed for the American market, with the new mix replacing the original European mix, and becoming the global standard. The hooks. Gimme A Bullet. All tracks are written by Angus Young, Malcolm Young and Bon Scott. "[9], In 2005, Powerage was ranked number 325 in Rock Hard magazine's book of The 500 Greatest Rock & Metal Albums of All Time. Powerage is by some distance his best lyric set, one that reads like Jim Thompson short stories set to music. Powerage is by some distance his best lyric set, one that reads like Jim Thompson short stories set to music. Qty. [1] Edwin Faust of Stylus Magazine considers Powerage "AC/DC’s best album...because it isn’t simply about sex, drinking and tongue-in-cheek Satanism", but shows a band "growing up". It's an oddity both musically and lyrically: it's a song so stripped back it's barely there. Gone Shootin' 8. The footage was taken from a recording session in 1996 at London's VH1 Studios. Powerage. Just a real fiery, energetic work environment. And that's what he wanted for Powerage. With the first pressings of Powerage ready to go in the UK, the band complied and recorded "Rock 'n' Roll Damnation". 26 among the "100 Greatest Heavy Metal Albums of All Time".[11]. Powerage marked the studio debut of bassist Cliff Williams. To find out more, click here. On 'Gone Shootin'' there's even a woman entirely free of sexual desire, who wants only oblivion. On 'What's Next To The Moon', however, he produced something startling and allusive, mixing references to silent movies ("I tied my baby to the railroad track") and superheroes ("Heavenly body flying across the sky / Superman was out of town") in a revenge fantasy that ends with the narrator facing the brutal consequences of capture ("Hitting me with the third degree / Working on a thumbscrew"). Powerage has come to occupy such a huge place in AC/DC mythology that it's hard to look at it dispassionately. Gone shootin' She's gone Gone gone gone Gone shootin' My baby's gone shootin' Gone shooting, how am I gonna get her down ... "Powerage" (1978) Rock 'N' Roll Damnation. What's Next To The Moon. The amped-up Powerage, which introduced bassist Cliff Williams to the masses, is a vastly underrated album from AC/DC's entire catalog of recordings. In a 2011 interview with Joe Bosso that appears on MusicRadar, Evans reflected on his ousting from the group: The band finally toured America for the first time in the summer of 1977, focusing on smaller markets at first but eventually playing CBGB in New York City and the Whiskey A Go Go in Los Angeles. That Powerage is the only AC/DC album title not to feature in a chorus of one of their songs speaks about one of the record’s key virtues: subtlety. 10. But the album was already at the point of production, so the European version of the album was released without said single, and a track called 'Cold Hearted Man' (which was on my copy of Powerage, the first album I ever bought) until it could be substituted for 'Rock 'N' Roll Damnation', which duly became the hit. Track 1 akkurat gelesen (Zuversicht 7) [D1CDA9FF] Track 2 akkurat gelesen (Zuversicht 8) [445E54D9] 9. Up to My Neck in You Lyrics. Lyrics to Gone Shootin' by AC/DC from the Powerage album - including song video, artist biography, translations and more! Experimental? After a 12-date European tour opening for Black Sabbath in April, bassist Mark Evans was fired from AC/DC on 3 May 1977. Shakers coming in. 7.3K 8. “Gone Shootin'” is the 7th song off of 1978’s Powerage. In December they played a set in front of a small audience at Atlantic Recording Studios in New York City which was broadcast live over Radio WIOQ in Philadelphia and hosted by Ed Sciaky. "What's Next to the Moon", with its allusions to Casey Jones and Clark Kent, as well as the elusive "Gone Shootin'" and the unapologetic "Down Payment Blues" ("I know I ain't doin' much, but doin' nothin' means a lot to me"), clearly show that Scott's writing, much like the band's sound, had evolved from the novelties of the group's early albums. AC/DC Powerage on LP!. Loaded with sex, drugs, satanic panic and plenty of fight, it remains an iconic album from 1978. 1 ... Gone Shootin' (Album Version) 8. Powerage is the fifth studio album by Australian hard rock band AC/DC. Powerage, still, is peerless. powerage is somewhat a second rate version of let there be rock but of course sin city is always classic and the long forgotten but really good gone shootin until it appeared on the beavis and butthead movie not all that bad i guess. While 'Down Payment Blues' is the emotional heart of Powerage, the one where its central message – life is shit, poverty is shit, and what's the point of it all? The hit single secured, the pressure was on to go to the next level. However, the first UK pressing also includes different mixes than all later versions, most noticeably on "Down Payment Blues" (which excludes the bluesy coda heard on later pressings), "Kicked In The Teeth" (the opening chord was omitted on all other pressings but is present on the UK vinyl version) and "What's Next to the Moon" (which omits solos and backing vocals heard on later pressings). "Sin City", which the band would perform frequently in concert, explores the seductive charms and dangers of Las Vegas, while "Kicked in the Teeth" addresses a two-faced woman with "two-faced lies". For the album of AC/DC cover songs, see, "Kicked in the Teeth" redirects here. Him and Angus didn't see eye to eye. powerage Merited for its song variety, artistic expression and sonic clarity, Powerage is favored by many aficionados to be AC/DC’s most accomplished performance in a studio setting. It's Keith Richards' favourite AC/DC album; when Axl Rose replaced Brian Johnson in the band, two tracks from it – 'Riff Raff' and 'Rock 'N' Roll Damnation' – suddenly appeared in the live setlist; it's the one the hardest, corest of hardcore fans always go on about, Even within the AC/DC camp, it appears to have a special status, albeit one that might baffle non-converts. Powerage is the fifth studio album by Australian hard rock band AC/DC. AC/DC bring it home proudly with the mid-paced "Gone Shootin'", the rippin' "Up to My Neck in You", and the smash-mouth, chaotic closer, "Kicked in the Teeth". "That was unknown. Dateiname K:\Audi\ACDC\1995 Australian Edition\1978 – Powerage\AC-DC – Powerage.wav. Crucially – I've made this point before, but it bears repeating: Powerage is the only AC/DC album entirely free of sexual innuendo. Gone Shootin' Lyrics. Powerage proved to be the end of one road for AC/DC. This album is a must-have for fans of the band.Tracks:1.1 Rock 'N' Roll Damnation 1.2 Down Payment Blues 1.3 Gimme a Bullet 1.4 Riff Raff 1.5 Sin City 1.6 What's Next to the Moon 1.7 Gone Shootin' 1.8 In early 1978, the band returned to Sydney to record their next album. The song, which features handclaps and maracas and does not have a traditional guitar solo, was released in Britain at the end of May and went to #24, the best performance yet by an AC/DC single. Needless to say, when AC/DC handed in Powerage to Atlantic, the label didn't hear a hit single, and this was meant to be the point at which the band started producing hit singles. But by God, did Vanda and Young throw everything at it to make it a hit. The song was packaged on a single-sided 12-inch single in the 1987 boxed set. Michael Hann re-examines the 1978 heavy rock masterpiece that is AC/DC's Powerage. Sin City. And yet, and yet, and yet …, And yet there's some germ of truth in what they say. Hitherto, Bon Scott's writing had often been a strange alternation between seaside postcard bawdiness and almost psychopathic malevolence. A lot of real rock and roll AC/DC fans, the real pure rock and roll guys. While initial sales were somewhat disappointing, Powerage surpassed its predecessor, Let There Be Rock, by reaching No. While 'Riff Raff' and 'Sin City' might be a good bit more downbeat than the centrepiece tracks of the previous album ('Let There Be Rock' and 'Whole Lotta Rosie'), they serve the purpose of breaking the tension: their original positions at the end of side one and the start of side two of the vinyl album as a buffer between the runs of unmitigated misery. Riff Raff 5. Tracks: Rock'N'Roll Damnation, Down Payment Blues, Gimme A Bullet, Riff Raff, Sin City, What's Next To The Moon , Gone Shootin' , … Many of AC/DC's early albums were altered for release in other markets, and this practice continued with Powerage, although it was the first LP to be released nearly simultaneously in both Australian and international markets and the first to use just one cover image for both. We'll ship it as soon as it's restocked. It was the first AC/DC album to feature Cliff Williams on bass, and it was also the first AC/DC album not to have a title track (aside from the Australia-only High Voltage album). Spitzenpegel 100.0 % Bereichsqualität 100.0 % Kopie CRC 05B9A4A3 Kopie OK. Keine Fehler aufgetreten. For the album by Zeke, see, "AC/DC: Powerage Album Of The Week Club review", "The Youngs: The Brothers Who Built AC/DC: Riff Raff", "AC/DC - Powerage - another question about the different mixes", "Australiancharts.com – AC/DC – {{{album}}}", "Swedishcharts.com – AC/DC – {{{album}}}", "ARIA Charts – Accreditations – 2013 Albums", Australian Recording Industry Association, "French album certifications – AC/DC – Powerage", Syndicat National de l'Édition Phonographique, "Gold-/Platin-Datenbank (AC/DC; 'Powerage')", "The Official Swiss Charts and Music Community: Awards (AC/DC; 'Powerage')", "British album certifications – AC/DC – Powerage", "American album certifications – AC/DC – Powerage", Recording Industry Association of America, Let There Be Rock: The Movie – Live in Paris, It's a Long Way to the Top (If You Wanna Rock 'n' Roll), For Those About to Rock: Monsters in Moscow, https://en.wikipedia.org/w/index.php?title=Powerage&oldid=999783980, Albums produced by George Young (rock musician), All Wikipedia articles written in Australian English, Short description is different from Wikidata, Album articles lacking alt text for covers, Certification Table Entry usages for Australia, Pages using certification Table Entry with shipments figures, Certification Table Entry usages for France, Pages using certification Table Entry with sales figures, Certification Table Entry usages for Germany, Certification Table Entry usages for Spain, Certification Table Entry usages for Switzerland, Certification Table Entry usages for United Kingdom, Certification Table Entry usages for United States, Pages using certification Table Entry with sales footnote, Pages using certification Table Entry with shipments footnote, Creative Commons Attribution-ShareAlike License. This mix is still used on all AC/DC, This page was last edited on 11 January 2021, at 23:12. But the highlight of "Powerage" is no doubt 'What's Next to the Moon,' which is sheer poetry from the view of a gritty rock and roller. What's Next To The Moon 7. Gimme A Bullet 4. However, "Powerage" is a totally different album all together. AccurateRip Übersicht. [7] The album has remained a favourite of Malcolm Young, who was quoted in AC/DC: Maximum Rock & Roll as saying, "I know a lot of people respect it. 1978 Preview Editors’ Notes Bon Scott, Angus Young, and Malcolm Young hit on a new level of songwriting maturation with 1978's Powerage. Without the triptych of 'Down Payment Blues', 'Gimme A Bullet' and 'What's Next To The Moon', the more triumphant tracks (though it's all relative, here) wouldn't cut through the fog. Kicked in the Teeth. It was the band's fourth studio album released internationally and the fifth to be released in Australia. 133 on Billboard's Pop Albums chart in the US, eventually achieving platinum certification. We were in London, I went to their apartment and they told me they wanted to get rid of Mark. All other tracks appear in the order of the original Australian/US release. "What's Next to the Moon" features great lyrics and an equally great chorus, whereas "Up to My Neck in You" is the definition of the word Rock N … Great work environment. Riff Raff. You Might Also Like. Up to My Neck In You 9. ", AllMusic gives Powerage a rating of three and a half out of five stars, stating that while "it is the most uneven of" AC/DC's 1970s material, the album still contained a "few genuine classics", specifically mentioning "Down Payment Blues" and "Up to My Neck in You". To find out more, click here. It's the bleakness that makes Powerage. It's the least flashy, the most gritty, the least concerned with its audience, and the driest: one wouldn't be in the least surprised to be told Steve Albini had spent his entire career as an engineer/producer/recorder trying to capture its sound. magazine listed the album at No. The Youngs: The Brothers Who Built AC/DC book claims that George Young played bass on all tracks. We have an official Gone Shootin tab made by UG professional guitarists. Musically, Powerage contains some of the band's fiercest rockers, including "Down Payment Blues", "Riff Raff," "Kicked in the Teeth", and "Up to My Neck in You", and, as with previous albums, the songs were recorded as live as possible (on "Up to My Neck in You", Angus Young can clearly be heard changing from rhythm to lead for his guitar solo). Atlantic felt Powerage was too hard for US radio, which was where the label wanted the band to be, and Malcolm and Angus Young were perfectly willing to shake up everything surrounding the band to become the biggest rock band in the world. AC/DC's third U.S. release, 1978's Powerage, followed the blueprint set by 1977's Let There Be Rock — tales of the hard life merged with lethal, cranked-to-ten, unpolished hard rock. The final two tracks, Up To My Neck In You and Kicked In The Teeth, also exemplify this new dynamic.Although both date back to the earlier Powerage sessions of six months before, only the latter sounds like it comes from an earlier era, Bon literally screaming over the intro about a ‘two-faced woman’ telling ‘two-faced lies’.. Keith Richards knows a thing or two about rock’n’roll. As a wholly independent publication, we rely entirely on our ad bookings to keep The Quietus going. He was usually a gratifyingly direct lyricist: the furthest he might go to metaphor was innuendo. Eddie Van Halen and Rolling Stones' guitarist Keith Richards have stated that Powerage remains their favourite AC/DC record. There's such a different approach on this record that's hard to really pinpoint what it is, it's just focused and more solid. If you love what we do, you can help tQ to continue bringing you the best in cultural criticism and new music by joining one of our subscription tiers. The Powerage sessions officially got going in January 1978 and stretched over a period of about eight weeks. Powerage was re-released in 2003 as part of the AC/DC Remasters series. AC/DC song lyrics for album Powerage. AC/DC For Those About To Rock CD $8.99; AC/DC - BLOW UP YOUR VIDEO CD [8] In 1994, Bon Scott biographer Clinton Walker opined in his book Highway to Hell that "altogether, Powerage just seemed to lack the uncompromising coherence and relentless body and soul that was its predecessor's greatness." Kicked in the Teeth Lyrics. 'Sin City' is a growling and dare I say forewarning look at Las Vegas infidelity, while 'Up to My Neck in You' and 'Gone Shootin' (a true classic) are superb. It was the first AC/DC album to feature Cliff Williams on bass, and it was also the first AC/DC album not to have a title track (aside from the Australia-only High Voltage album). While AC/DC had long since mastered the building of tension, and coiling songs like springs – 'Live Wire', 'She's Got Balls', 'Dog Eat Dog' and 'Hell Ain't a Bad Place to Be' are based to varying degrees on that technique – they'd never done so with such discipline as here ('Riff Raff', another explosion of released tension is rather different, in that the 90 seconds of intro are all tension, the body of the song is all ecstatic release; there's no build and release and build and release). But it's telling, too, that when a band comes along that wants to capture the sound of AC/DC – bands like Airbourne or Rhino Bucket – it's not Back In Black they try to recreate; instead it's usually as if they're trying to make the album AC/DC might have made between Powerage and Highway To Hell, where the sound and toughness of the former meets the accessibility of the latter. Although the album features the same ferocity and live feel that had characterized the band's previous LP Let There Be Rock, Atlantic Records executives in the United States complained that the album did not contain a radio-friendly single. It meant them sacking their manager, Michael Browning. Tracks: 1. Kicked In The Teeth Credits: Produced by Harry Vanda & George Young Recorded at Albert Studios in Sydney, February-March 1978 Powerage is the most extreme AC/DC record. As Mark Opitz told Fink: "You can hear Vanda and Young in 'Rock 'N' Roll Damnation'. Initial editions of the European (UK) LP release featured a different mix of the album. [10] Kerrang! It was the first AC/DC album to feature Cliff Williams on bass, and it was also the first AC/DC album not to have a title track (aside from the Australia-only High Voltage album). Which, Fink writes in his book The Youngs, was what George Young – Malcolm and Angus's older brother, and the album's co-producer with Harry Vanda – had wanted, stirring the group into antagonism. [13], *sales figures based on certification alone^shipments figures based on certification alone, "What's Next to the Moon" redirects here. Obviously a lot of chemistry there being brothers. The album boasts the hit songs quot;Rock 'N' Roll Damnation,quot; quot;Riff Raff,quot; quot;Sin Cityquot; and quot;Gone Shootin'.quot; The original album was digitally remastered for a cleaner sound in 2003 for a vinyll pressing to kill for. Albert Studios there in Sydney was a great little rock and roll room...Great producers. "Gone Shootin" might have the best groove of any AC/DC song and sees Angus dropping down with an incredible, bluesy solo. Gone Shootin… The tension is ratcheted up by Scott's lyric. As Scott puts it', with equal parts disgust and empathy, in the most economical description of the squalor of addiction ever set to record: "I stirred my coffee with the same spoon.". Band biographer Jesse Fink cites the album as containing "their best ever collection of songs" and deems it "a high point creatively for the three Youngs, an album arguably superior to the commercially successful Mutt Lange circuitbreakers that followed, Highway to Hell and Back in Black. You'll look long and hard for extended modal electronica interludes, and you won't find any. Fink also notes that the band were having a hard time in Australia, which had not embraced Let There Be Rock, and that further fed into the album's bleak mood. Title: Powerage Format: CD Tracklist: Down payment blues Gimme a bullet Riff raff Sin City Gone Shootin ' Up to My Neck in You Kicked in the teeth. Crank it up for the full fury of hard rock at it's primal best. AC/DC - Pandora. View credits, reviews, tracks and shop for the 1978 Richmond Pressing Vinyl release of Powerage on Discogs. "Gone Shootin'" was featured in the movie Beavis and Butt-head Do America. UK Cassette Versions had this mix, with the single version of "Rock 'n' Roll Damnation" and no fade on "Riff Raff", up until the 1994 remasters. The promotional album, Live from the Atlantic Studios would be released on the 1997 Bonfire box set. Rock 'n' Roll Damnation 2. Which if you notice is just like [John-Paul Young's] 'Love Is In The Air'. The song became more widely available through the boxed set of Bon Scott-era vinyl LP albums in 1981. And we had about three weeks to do it, 'cause that's about all the money we had...It was really a tremendous experience.". In an interview with Bass Frontiers, Cliff Williams recalls the sessions fondly: "The guys had already been in the studio for a while and we went in to do what turned out to be the Powerage album. 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Movie Beavis and Butt-head do America song belongs and deserves its place in AC/DC mythology that it 's to..., reviews, tracks and shop for the CD release of Powerage on Discogs of bassist Cliff Williams Richards stated. ' '' was featured in the order of the original Canadian issue, had an alternate track.. Tq 's work by becoming a subscriber and enjoy the benefits of bonus essays, podcasts and new... - including song video, artist biography, translations and more there be rock by. Malcolm Young and Bon Scott has said this song is about “ a lady who took upon... Hard rock at it 's extreme in its lyrics right to do so internationally and fifth... The Air ' including song video, artist biography, translations and!... No sitars, no psychedelic whimsy becoming a subscriber and enjoy the benefits bonus... With barely controlled aggression Opitz told Fink: `` you can hear Vanda and Young in 'Rock ' N roll... - including song video, artist biography, translations and more look long and for. Yet there 's even a woman entirely free of sexual desire, who wants only oblivion occupy... Access the Quietus albums in 1981 new music and exclusively-commissioned new music album Version 8... Released internationally and the fifth studio album released internationally and the fifth studio released. Order to continue to access the Quietus reviews, tracks and shop for the full fury of hard band! Were somewhat disappointing, Powerage surpassed its predecessor, Let there be rock, by reaching no Cliff.... Took it upon herself to do whatever she wanted to do ” release featured a different mix of original. Blues '', is also excluded from this Version been a strange alternation between postcard! Benefits of bonus essays, podcasts and exclusively-commissioned new music to Browning, the real rock. '' redirects here May 1977 in London, I went to their apartment and they told me they wanted do! Song is about “ a lady who took it upon herself to do whatever she to! Make it a hit set of Bon Scott-era Vinyl LP albums in.... Seems more like an observer than a participant on Powerage he stripped away the,... Device, no psychedelic whimsy notice is just like [ John-Paul Young 's ] 'Love in... Exclusively-Commissioned new music tour opening for Black Sabbath in April, bassist Mark Evans fired. Different mix of the European ( UK ) LP release featured a different mix of the album AC/DC. Refreshing this page shop for the 1978 Richmond Pressing Vinyl release of Powerage Discogs! Air ', tracks and shop for the full fury of hard band., Bon Scott 's lyric Hann re-examines the 1978 gone shootin powerage rock masterpiece that is AC/DC 's.. “ a lady who took it upon herself to do whatever she wanted do. Let there be rock, by reaching no book claims that George Young played bass on all,! Different album all together around the edges, every song belongs and deserves its place in AC/DC mythology that 's. The Powerage sessions officially got going in January 1978 and stretched over a period of about eight weeks studio! Alternation between seaside postcard bawdiness and almost psychopathic malevolence essays, podcasts and exclusively-commissioned new.! Around the edges, every song belongs and deserves its place in AC/DC mythology it! And they told me they wanted to do ” their favourite AC/DC record April, bassist Mark Evans was from!

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